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It's a story that made Dutch painter Han van Meegeren famous worldwide when it�broke at the end of World War II: A lifetime of disappointment drove�him to forge Vermeers, one of which he sold to Hermann Goering in�mockery of the Nazis. And it's a story that's been believed ever since.�Too bad�it isn't true.
Jonathan Lopez has drawn on never-before-seen documents from dozens of archives to write a revelatory new biography of the world’s most famous forger. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges as an ingenious, dyed-in-the-wool crook—a talented Mr. Ripley armed with a paintbrush. Lopez explores a network of illicit commerce that operated across Europe: Not only was Van Meegeren a key player in that high-stakes game in the 1920s and '30s, landing fakes with famous collectors such as Andrew Mellon, but he and his associates later�cashed in on the Nazi occupation.
The Man Who Made Vermeers�is a long-overdue unvarnishing of Van Meegeren’s legend and a deliciously detailed story of deceit in the art world.

• Sales Rank: #332625 in eBooks
• Published on: 2009-07-15
• Released on: 2009-07-15
• Format: Kindle eBook

Amazon.com Review

It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: A lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering in mockery of the Nazis. And it's a story that's been believed ever since. Too bad it isn't true.

Jonathan Lopez has drawn on never-before-seen documents from dozens of archives to write a revelatory new biography of the world's most famous forger. Neither unappreciated artist nor antifascist hero, van Meegeren emerges as an ingenious, dyed- in-the-wool crook--a talented Mr. Ripley armed with a paintbrush. Lopez explores a network of illicit commerce that operated across Europe: Not only was van Meegeren a key player in that high-stakes game in the 1920s and '30s, landing fakes with famous collectors such as Andrew Mellon, but he and his associates later cashed in on the Nazi occupation. The Man Who Made Vermeers is a long-overdue unvarnishing of van Meegeren's legend and a deliciously detailed story of deceit in the art world.

A Look Inside The Man Who Made Vermeers
(Click on Images to Enlarge)

Han van Meegeren, 1945 The Smiling Girl
Vermeer forgery sold to Andrew Mellon in 1926 The Lace Maker
Vermeer forgery sold to Andrew Mellon in 1928 Christ and the Adulteress
Vermeer forgery sold to Hermann Goering in 1943

A Q&A with Jonathan Lopez, Author of The Man Who Made Vermeers

Q: It seems incredible that Van Meegeren was able to forge a whole Vermeer oeuvre. How did he get away with it?

A: Supply and demand played an important role. Vermeers are extremely rare--only thirty-six are known to exist--and a lot of wealthy collectors wanted to get hold of one.

Q: Did real Vermeers turn up on the market in addition to the fakes in those days?

A: Sure. The appearance of the occasional gem is what kept everyone searching for more. One of Vermeer's best pictures, The Girl with the Red Hat, for instance, was discovered in 1925 in a private collection in Paris. It was the last genuine Vermeer ever found. Andrew Mellon bought it and later donated it to the National Gallery of Art in Washington, D.C., where it remains on view to this day. Mellon was a very generous man.

Q: Didn't Mellon also buy a fake Vermeer?

A: Actually, he bought two: the first in 1926; the second, in 1927. He never realized they were phonies. He displayed them in his home, right next to the The Girl with the Red Hat, and gave them to the National Gallery along with the rest of his collection. Mellon's two fakes hung at the National Gallery as genuine Vermeers until the late 1950s, when chemical tests showed them to be made from modern paint. They're kept in storage now. Both of them were made by Han van Meegeren--as is revealed in The Man Who Made Vermeers.

Q: Who was the “brains” of the operation?

A: The man at the center of the plot was an English art collector named Theodore Ward, who was a close friend of Van Meegeren's. Ward considered himself a true connoisseur of painting and resented wealthier collectors who could afford whatever they wanted but lacked a deep knowledge of art. He got his revenge with the Mellon fakes. It would appear, though, that Ward was slightly mad. He decorated the parlor of his London home to look exactly like a Vermeer interior. There's a photo of it in the book, along with a very nice portrait of Ward by Van Meegeren, in which Ward is depicted wearing a red velvet smoking jacket, cigar in hand. He looks immensely pleased with himself.

Q: Van Meegeren never confessed to painting the Mellon Vermeers, but he did admit to painting other fakes, including a phony Vermeer that he sold to Hermann Goering. Why would he hide one part of his career, but flaunt another?

A: It has to do with the circumstances of Van Meegeren's confession. The Dutch government arrested Van Meegeren as a Nazi collaborator at the end of World War II, charging that he had sold a priceless Vermeer to Goering, the number two man in the Nazi hierarchy after Hitler. When Van Meegeren admitted that he himself had painted Goering's masterpiece, it naturally made him quite popular with the general public--and he played it for all it was worth. He claimed to be a misunderstood genius who had turned to forgery only late in life to revenge himself on the critics who had scorned him early in his artistic career. He only admitted forging the few works that the authorities already knew to be connected to him through the straw men who had brought the pictures to market. There were rumors--even then--that Van Meegeren was really a lifelong crook, but those leads were never investigated. I think no one wanted to spoil such an appealing story--the little Dutchman who outwitted Goering.

Q: Was there anything else Van Meegeren was hiding?

A: Yes. Van Meegeren really was a Nazi collaborator. During the occupation, Van Meegeren painted propagandistic artworks (under his own name) for the German-installed puppet government of the Netherlands, gave large sums of money to Nazi causes, and even sent a polite note to the F�hrer in Berlin, as a token of his admiration. Remarkably, Van Meegeren's interest in Nazism actually dated back to a period long before the occupation. As early as 1928, five years before Hitler assumed power as chancellor of Germany, Van Meegeren could be found parroting selections from Mein Kampf. The reality is that fleecing Hermann Goering was just an ordinary business transaction, not a political statement. Van Meegeren truly believed in the fascist dream. After the war, that was a big problem.

Q: How did Van Meegeren's fascist sympathies play into the types of “Vermeers” he painted?

A: Well, forgeries often reflect the tastes and attitudes of their own time just as much as those of the period they attempt to imitate. Mellon's fake Vermeers, for instance, strongly resemble the society portraits that Van Meegeren painted under his own name during the 1920s. Back in Mellon's day, nobody noticed this anachronism because people, in general, respond almost instinctively to the elements that seem familiar and comprehensible in an artwork, even one presumed to be centuries old. It’s part of what makes fakes so seductive. But, by the mid-1930s, Van Meegeren was no longer painting pictures of pretty Dutch society girls. He had become deeply interested in Nazi visual culture, in particular, so-called Volkgeist imagery, a kind of propaganda art which attempted to represent the pure spirit of the Aryan race. Van Meegeren's later Vermeers are essentially Volksgeist images presented in the guise of 17th century paintings, an art-historical hoax that changed the past to suit Van Meegeren's twisted view of the present. Today, people look at Van Meegeren's later Vermeer forgeries and wonder how one on earth anyone could ever have mistaken them for the real thing. But they are “Vermeers” born of the Nazi era, and we should be thankful that they seem incoherent to us today, because it shows how far we have travelled from the mood and preoccupations of that moment. It's no coincidence that Hitler's personal photographer, Heinrich Hoffmann was a big fan of the “Vermeers” that Van Meegeren pumped out during the late 1930s and early 40s. They gave him the illusion of seeing his own aesthetics projected back into history. It was a kind of sinister narcissism, really.

Q: Do you think an art hoax of such proportions could happen today?

A: In the annals of forgery, Van Meegeren is unique for the way he bent history to his will. He had an idea about the past, about the essential spirit of the Dutch people, and, with his fake Vermeers, he created the visual evidence needed to “prove” his point. There's never been anything else quite like it, and hopefully there never will be again. The entire idea behind Van Meegeren's project was a product of his era, the fascist era of European history. That said, though, ordinary forgery--the kind done for pure profit--continues unabated. There's a family in England that was arrested recently. They had been making and marketing fake Gauguin sculptures for decades. They were quite clever about it--studied Gauguin's style and life history, created phony documents to fake the ownership history of the individual pieces. It's really not an uncommon story. Forgery is a big business. Always has been; always will be.

Q: Do you think Van Meegeren would have been pleased by the appearance of not one but two biographies of him this year? How are the two books different?

A: Oh, he would have been thrilled! He loved attention more than just about anything in the world, and I'm sure, wherever he is right now, he's smiling. My guess, though, is that Van Meegeren would probably find the other fellow's book a bit more flattering, because it's closer to the storyline that Van Meegeren himself created for his life and career back in 1945. Personally, I don't believe that Van Meegeren cast any kind of “spell” on people, nor do I think that the collectors and dealers that Van Meegeren duped were necessarily foolish--Andrew Mellon, for instance, was by no means a foolish man. The other book repeats a lot of Van Meegeren's self-serving mythology. My book doesn't do that. It is about the specific historical circumstances that allowed the Vermeer swindles to occur. It's steeped in the intimate details of the history of the art market, the history of the Netherlands, and the history of Van Meegeren's career as it really happened. And I think that kind of depth of involvement with my subject matter shows through in my conclusions. I don’t present Van Meegeren as a man in isolation, but as a product of his times and of the sordid milieu in which he operated. The central issue the other book misses is that Van Meegeren was not a lone gunman. It takes a loosely coordinated web of self-interested, morally compromised individuals to push a second-rate product into the marketplace as though it were a masterpiece. That sort of thing still goes on today, and not just in the art world, but in every conceivable field of endeavor.

From Publishers Weekly
Starred Review. In this engaging study, art historian Lopez examines—as did Edward Dolnick's Forger's Spell, published in June—the fascinating case of Han van Meegeren, a notorious Dutch art forger. Van Meegeren, who sold Hermann Goering a fake Vermeer, was convicted of collaboration; he became a folk hero for duping the Nazi leader. But according to Lopez, van Meegeren was a successful forger long before WWII, and contrary to van Meegeren's claim that he was avenging himself on the art critics who had scorned his own work, Lopez says he was motivated by financial gain and Nazi sympathies: What is a forger if not a closeted �bermensch, an artist who secretly takes history itself for his canvas? Lopez asks provocatively. The author gives a vivid portrait of the 1920s Hague, a stylish place of mischief and artifice where van Meegeren learned his trade, and brilliantly examines the influence of Nazi Volksgeist imagery on van Meegeren's The Supper at Emmaus, part of his forged biblical Vermeer series. Lopez's writing is witty, crisp and vigorous, his research scrupulous and his pacing dynamic. 88 b&w photos. (Sept.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Lopez’s astute portrait of forger Han van Meegeren (1889–1947) testifies that a practiced deceiver inspires drastically diverging interpretations. Edward Dolnick’s�Forger’s Spell (2008) revels in the stratagems of van Meegeren’s capers in the art world, Frank Wynne’s I Was Vermeer (2006) accepts van Meegeren’s claimed motive for painting fakes as vengeance against a Dutch art establishment that ignored his talent, but Lopez ascribes the fraud to simple avarice. More innovatively, Lopez detects the vocabulary of fascistic artwork in certain of van Meegeren’s bogus Old Masters, which�relates his political sympathies and connections with functionaries of the Nazi art-looting operation. While duping Hermann G�ring with an imitation Vermeer has its comedic aspect, Lopez shows how dangerous the swindle�was, revealing in�van Meegeren’s�escape from that episode, as well as�in evidence of his Nazi enthusiasm, the loathsome, clever chameleon van Meegeren was. Lopez’s wise historical context to van Meegeren’s imposture is perfect for readers of Lynn Nicholas’�Rape of Europa (1994). --Gilbert Taylor

Most helpful customer reviews

69 of 71 people found the following review helpful.
An Engrossing Story of Painterly Intrigue
By David Brody
Jonathan Lopez has written a stunning book that sweeps the reader up into the peculiar world of Han Van Meegeren, who spent years creating supposedly "missing" masterpieces by the Dutch painter Johannes Vermeer. Van Meegeren managed to dupe not only wealthy financiers, such as Andrew Mellon, and important political figures like Hermann Goering, but also major museums, such as the National Gallery in Washington DC. Remarkably Mellon's faux Vermeers hung in Washington until the 1960s, when their questionable and more modern provenance came to the fore. Lopez has deftly managed to write a page turner that also provides the reader with copious amounts of original research. Especially fascinating is the portrait he gives of life in Holland under the Nazi occupation. As Lopez traces out the forger's odd and extravagant life, he also provides insightful conclusions, including the connections he makes between Van Meegeren's strange wartime fake Vermeers and the forger's sinister fascist beliefs. I loved this book and recommend it highly to anyone with an interest in art or history. It's a great read.

47 of 48 people found the following review helpful.
Elegant and Authoritative
By W. P. seeberg
"The Man Who Made Vermeers" tells the story of Dutch art forger Han van Meegeren in greater detail, with deeper insight, and providing a more compelling sense of historical context than any other treatment I have seen of this subject. The author, Jonathan Lopez, is an elegant prose stylist, and he manages to synthesize an extraordinary amount of original research into a tight and extremely entertaining narrative that combines elements of a real-life mystery story with a wide range of thought-provoking ideas.

At the heart of "The Man Who Made Vermeers" is the notion that forgeries are always in some way "about" the way the present looks at the past. In the case of Van Meegeren, who was an ardent fascist sympathizer, it seems that the forger incorporated, either consciously or unconsciously, the visual repertoire of Nazi culture into the fake Vermeers that he created from 1936 onwards, after his visit to the Berlin summer Olympics. (He had faked other Vermeers in a more 1920s-influenced style before that.) In particular Lopez's discussion of the effect of Nazi Volksgeist painting on these post-1936 "Vermeers" is a tour de force - completely riveting to read and extremely convincing. The way that he ties Van Meegeren's practice as a forger to larger questions of fascist ideology is also quite impressive.

In general, the author's understanding of the historical and culture trends of the era is very solid, as is his knowledge of Dutch art history and of the history of Holland in general (According to the information in the back of the book, he apparently also writes in Dutch, so maybe he is of partly Dutch background.)

As a work of narrative story telling, "The Man Who Vermeers" holds together beautifully. The straightforward structure, swift pacing, and reader-friendly, non-academic tone make for a pleasurable experience from beginning to end. Personally, I found the descriptions of life in Nazi-occupied Holland particularly gripping and really well done. This is an excellent book, highly recommended for readers with an interest in art, criminal enterprises, or World War II history. It is likely to be the definitive book on the subject for many years to come.

28 of 28 people found the following review helpful.
Nazi sympathies laid bare
By Acton Bell
Not only is "The Man Who Made Vermeers" a great introduction to Han Van Meegeren and his notorious Vermeer forgeries, it serves as an excellent window into Nazi-controlled Holland during the war. It is Lopez's examination of Van Meegeren's Nazi sympathies--and his deft analysis of how Van Meegeren's faux Vermeers sprang from the same 20th-century Nazi iconography as contemporary propaganda paintings--that really sets the book apart. A devasting reappraisal of the man who "fooled" Hermann Goering and a good read for anyone interested in art, World War II, or how the two intersected.

See all 67 customer reviews...

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[U641.Ebook] Free Ebook The Incorrigible Children of Ashton Place: Book V: The Unmapped Sea, by Maryrose Wood

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For fans of Lemony Snicket's Series of Unfortunate Events and Trenton Lee Stewart's Mysterious Benedict Society, here comes the fifth book in the Incorrigible Children of Ashton Place, the acclaimed and hilarious Victorian mystery series by Maryrose Wood.

Lord Fredrick Ashton may not feel ready to be a father, but with a little Ashton on the way, he's sure about one thing: the wolfish curse on his family must end soon, before the child is born. Penelope willingly takes on the challenge; when Lady Constance's doctor prescribes a seaside holiday, Penelope jumps at the chance to take the three Incorrigible children to Brighton, where she hopes to persuade the old sailor Pudge to reveal what he knows about the Ashton curse.

But the Ashtons are not the only ones at the beach in January. The passionately temperamental Babushkinov family is also taking the winter waters.

The Incorrigible children may have been raised by wolves, but the Babushkinov children are the wildest creatures they've ever seen. Is it more than mere coincidence that these untamed children have turned up in Brighton just as Penelope and the Incorrigibles arrive?

• Sales Rank: #231646 in Books
• Published on: 2015-04-21
• Released on: 2015-04-21
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x 1.29" w x 5.50" l, .0 pounds
• Binding: Hardcover
• 416 pages

Review
"Happily, the mysteries deepen at Ashton Place in this fourth volume in the Incorrigible Children series. Once again delightful wordplay and a plot that snakes itself around a suspicious family tree add to the deliciousness."--Booklist (starred review)

From the Back Cover

"A baby—blast!" Lord Fredrick Ashton may not feel ready to be a father, but with a little Ashton on the way, he's sure about one thing: The wolfish curse on his family must end soon, before the child is born. Otherwise, he warns Miss Penelope Lumley, "a barking baby Ashton is just what we shall have."

Penelope takes on the challenge, for she knows that the fate of her own pupils is strangely bound to the fate of the moon-cursed Ashtons. The missing puzzle piece lies within the fading memory of an ancient mariner named Pudge, a resident of the old sailors' home in Brighton. When Lady Constance's doctor prescribes a seaside holiday, Penelope jumps at the chance to take the three Incorrigible children to Brighton. There, with the help of her friend Simon, she hopes to find out what Pudge knows.

The Ashtons are not the only ones at the beach in January, however. The temperamental Babushkinov family is also taking the winter waters. The Incorrigibles may have been raised by wolves, but the Babushkawoos (as the children call them) are the wildest creatures they've ever seen. Is it more than mere coincidence that these untamed children have turned up in Brighton just as Penelope and the Incorrigibles arrive?

About the Author
Maryrose Wood is the author of The Incorrigible Children of Ashton Place series. She lives in New York. Find out more at maryrosewood.com.

Most helpful customer reviews

2 of 2 people found the following review helpful.
These are getting scary!
By MissMommy
Although I am far beyond the targeted age group for these books, I have enjoyed reading the continuing saga of the Incorrigible Children.
The stories are well crafted, have lots of educational bon mots thrown in as well as general good rules to live by.
The Unmapped Sea ...( I don't know what that title has to do with the story except they were at the beach)...has ramped up the creepy level and seems much scarier and darker than the first four books. I was very sure this would be the end of the tale and the tails, but readers rejoice, there will be more. This edition leaves our heroine in the lurch, so the author better get typing and get the next installment ready. My nervous system can't stand the strain!

1 of 1 people found the following review helpful.
We adults enjoyed it too
By Kezia C
This books was much appreciated by my children, who are avid fans of the series. We adults enjoyed it too, and found it more humorous than the preceding volumes. Our only criticism is with the new illustrations and cover design. It was disappointing to get a volume that doesn't match the previous four we bought, the scene on the cover doesn't match any scene in the story, and the artist obviously hasn't even read the book (much is made of the children's unusual auburn hair, and yet she has depicted them with black hair).

3 of 4 people found the following review helpful.
Not the most riveting in the series!
By BEW
While this moved the mystery along, I don't think it was as interesting or engaging as the others in the series. I think children would be bored with this book in the series and it so clearly leads to further events.that combining books would have been a much better choice in editing. However, I do want to stress for followers of the series that vital information about the overall mystery is revealed in this volume.

See all 32 customer reviews...

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Paperback edition

• Sales Rank: #1503859 in Books
• Published on: 2014
• Number of items: 1
• Binding: Paperback
• 211 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By CS Aldrich
Completely satisfied.

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An innovation classic. From Steve Jobs to Jeff Bezos, Clay Christensen’s work continues to underpin today’s most innovative leaders and organizations.

A seminal work on disruption—for everyone confronting the growth paradox.

For readers of the bestselling The Innovator’s Dilemma—and beyond—this definitive work will help anyone trying to transform their business right now.

In The Innovator’s Solution, Clayton Christensen and Michael Raynor expand on the idea of disruption, explaining how companies can and should become disruptors themselves. This classic work shows just how timely and relevant these ideas continue to be in today’s hyper-accelerated business environment.

Christensen and Raynor give advice on the business decisions crucial to achieving truly disruptive growth and propose guidelines for developing your own disruptive growth engine. The authors identify the forces that cause managers to make bad decisions as they package and shape new ideas—and offer new frameworks to help create the right conditions, at the right time, for a disruption to succeed. This is a must-read for all senior managers and business leaders responsible for innovation and growth, as well as members of their teams.

Based on in-depth research and theories tested in hundreds of companies across many industries, The Innovator’s Solution is a necessary addition to any innovation library—and an essential read for entrepreneurs and business builders worldwide.

• Sales Rank: #25166 in Books
• Brand: imusti
• Published on: 2013-11-19
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.75" w x 1.25" l, 1.02 pounds
• Binding: Hardcover
• 320 pages

Features

• Harvard Business School Press

Review
A Wall Street Journal, New York Times, and National Post Bestseller.

Praise for The Innovator’s Solution:

The Financial Times
“Fresh thinking aplenty . . . nothing less than a handbook for managers who would rather disrupt than be disrupted.”

Fast Company
“Every dilemma demands a solution. And this book lives up to its promise: More than an engrossing read, shot through with Christensen’s rigorous thinking and trademark clarity, it’s a valuable tool for every aspiring upstart—whether you’re inside a billion-dollar company or have a billion-dollar glimmer in your eye.”

The New York Times
“If [Christensen’s] first book left business with the quandary of how a middle-aged company can be as creative as the new kid on the block, [this] book is an instructive tutorial on how to rekindle the spark of youth and nurture the fragile flame.”

The Miami Herald
“The Innovator’s Solution is an intelligent, perceptive (and frequently counterintuitive) look at innovation, and well worth the time it takes to read and digest it to gain a greater understanding of the complex and profound combination of forces driving business development.”

The Conference Board Review
“. . . Required reading for every manager in America.”

The Toronto Globe and Mail
“A promising blueprint for innovation.”

About the Author
Clayton M. Christensen is the Kim B. Clark Professor of Business Administration at Harvard Business School. He is the author of eight critically acclaimed books, including the bestsellers How Will You Measure Your Life?, The Innovator’s Dilemma, and Disrupting Class. Christensen is the cofounder of Innosight, a management consultancy; Rose Park Advisors, an investment firm; and the Innosight Institute, a nonprofit think tank.

Michael E. Raynor is a director with Deloitte Services LP. He works with senior executives in the world’s leading corporations across a wide range of industries. He is the author of three critically acclaimed books: The Innovator’s Solution, coauthored with Clayton M. Christensen, The Strategy Paradox, and The Innovator’s Manifesto. Raynor publishes regularly in leading magazines and scholarly journals.

Most helpful customer reviews

24 of 25 people found the following review helpful.
Excellent book but not updated
By Michael Lercel
Very good insight on how to view the innovation process. However this is marketed as a new edition, but it certainly doesn't feel like it. Examples do not reflect changes in industry since the original was written.

So if you read the original edition, not worth investing in this update. But if you did not read the original then this is definitely worth reading. All of those reviews are still relevant.

2 of 2 people found the following review helpful.
Good information, but a little outdated
By Amazon Customer
Good information, but a little outdated. This is the same as the 2003 edition of the book, just with a new cover.

14 of 16 people found the following review helpful.
Excellent input for growth management and margin optimalization
By Jørgen Tvedt
The book repeats most everything from the "Dilemma" book and, unless readers want some interesting historical examples, there is no need to read the first.

The most suitable prerequisites and circumstances for hatching successful disruptive businesses are explained in detail. These are suggested as the main route to predictable growth for existing and new companies.

The book is quite repetitive and I suspect it to somewhat oversimplify complex issues, also using a scientific language while offering theories that aren't really proven. However the ideas presented and the clearly structured content convincingly offer the reader insights into margin fluctuations in the value network and the logic of growth.

You quickly get used to the author calling him selves "we", like if the book was actually a scientific publication.

Highly recommended, also if you have already read the "Dilemma" book.

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Un libro inolvidable como tus navidades venezolanas.
Porque las navidades venezolanas van m�s all� de las tradiciones, disfruta de este libro y comp�rtelo con tus seres queridos para que estas festividades sean inolvidables.

• Sales Rank: #1594655 in eBooks
• Published on: 2015-12-06
• Released on: 2015-12-06
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
An amazing read!
By Adriana
I've never cried and laughed at the same time while reading a book. This has been a great blast from the past for me, and i'm delighted to show my daughters (born and raised outside of veneZuela, and with a urguayan father) what a great christmas and culture we have! Thanks to the author who shared this incredible story: with a new generation of venezuelans, with venezuelans living ashore and for other countries and cultures to read about this amazing journey during our holidays.
A venezuelan in Miami.

0 of 0 people found the following review helpful.
Para los venezolanos en el extranjero, e inclusive para ...
By Daniela Caruso
Para los venezolanos en el extranjero, e inclusive para quienes seguimos en el pa�s. Una hermosa historia que te transporta a aquellos a�os en los que un pa�s abr�a sus puertas para celebrar la �poca m�s hermosa del a�o. A�orando que esos anos regresen. Felicidades Mar�a Astrid y gracias por este recuerdo.

0 of 0 people found the following review helpful.
El libro es lo m�ximo. Mi hijo lo am�.
By Juan Carlos Aoun
Tradiciones venezolanas explicadas de manera divertida usando una familia como la mia!!! Ilustraciones que son como mis recuerdos. Completamente recomendable.

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• Sales Rank: #2564130 in Books
• Published on: 2013
• Binding: Paperback
• 148 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Very educational and good book collection.

0 of 1 people found the following review helpful.
If you like wing chun kung fu then you'll no doubt like and enjoy the Vietnamese version of this system.
By Fabian
IF you take just a small segment or a few exercises from this book and practice it daily with your partner! I do believe you can make a lot of progress learning this version of wing chun!!!!

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A guide to the practice of Sound Balancing, using tuning forks to clear trauma stored in the human energy field

• Provides a precise map of the energetic biofield that surrounds the body, showing where specific emotions, memories, traumas, and pain are stored

• Details how to locate stored trauma in the biofield with a tuning fork and clear it

• 2015 Nautilus Silver Award

When Eileen McKusick began offering sound therapy in her massage practice she soon discovered she could use tuning forks to locate and hear disturbances in the energy field, or biofield, that surrounded each of her clients. She found these energetic disturbances correlated with the emotional and physical traumas her clients had experienced throughout their lives, the biofield acting as a record of pain, stress, and trauma from gestation onward. Passing the forks through these areas in the biofield not only corrected the distorted vibrational sounds she was hearing but also imparted consistent, predictable, and sometimes immediate relief from pain, anxiety, insomnia, migraines, depression, fibromyalgia, digestive disorders, and a host of other complaints. Now, nearly 20 years later, McKusick has fully developed her sound healing method, which she calls Sound Balancing, and created a map of the biofield, revealing the precise locations where specific emotions, memories, ailments, and traumas are stored.

In this book, McKusick explains the complete practice of Sound Balancing and provides illustrations of her Biofield Anatomy Map. She details how to use tuning forks to find and clear pain and trauma stored in the biofield. She reveals how the traditional principles and locations of the chakras correspond directly with her biofield discoveries. Exploring the science behind Sound Balancing, she examines scientific research on the nature of sound and energy and explains how experiences of trauma produce “pathological oscillations” in the biofield, causing a breakdown of order, structure, and function in the body.

Offering a revolutionary perspective on mind, energy, memory, and trauma, McKusick’s guide to Sound Balancing provides new avenues of healing for energy workers, massage therapists, sound healers, and those looking to overcome chronic illness and release the traumas of their past.

• Sales Rank: #11205 in Books
• Brand: Unknown
• Published on: 2014-09-01
• Released on: 2014-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.00" l, .98 pounds
• Binding: Paperback
• 272 pages

Features

• Tuning the Human Biofield: Healing With Vibrational Sound Therapy

Review
“Modern science is finally recognizing that energy constitutes the blueprint of the physical body. Meanwhile, the energetic vibration of sound can be used to change that blueprint in ways that foster health and well-being. Genes literally express themselves in different ways when exposed to specific kinds of sound. Tuning the Human Biofield is a groundbreaking introduction to the art and science of applying these principles. It will take you on an intellectually juicy ride.” (Donna Eden, author of Energy Medicine)

“Tuning the Human Biofield is a superb introduction to the human energy field and its modification by sound vibrations. McKusick’s book is a highly valuable resource for patients and practitioners alike.” (Gary E. Schwartz, Ph.D., professor of medicine, University of Arizona)

“This book takes the reader by the hand on a quick tour through the ‘wonderland’ of quantum theory, vibrational therapies, the electric universe, biofield science, and other frontier science topics. Autobiographical bits and pieces make for enjoyable and easy reading. . . . a promising new modality to reduce stress and improve energy flow toward greater wellness.” (Beverly Rubik, Ph.D., professor at Energy Medicine University)

“This book integrates core universal truths with scientific principles to capture the essence of sound healing. As a pioneer in the field of sound healing, the author combines knowledge, expertise, curiosity, and unique personal experience into an easy-to-learn method that can offer powerful changes for the reader.” (Melissa Joy Jonsson, author of M-Joy Practically Speaking)

“An excellent explanation of how the tuning forks can influence these subtle fields for healing. Thought provoking and detailed in explanation, this book is also an excellent reference guide to using the tuning forks in a treatment mode for the various chakra energy centers. A must read for anyone thinking of using tuning forks as a healing tool.” (Jeffrey Thompson, D.C., Center for Neuroacoustic Research)

“The time has come for detailed explorations by skilled, sensitive, and intuitive individuals who are willing to venture into the unknown, to go beyond the mainstream, and report on the discoveries they make. Eileen McKusick has all of the tools such an explorer requires, including a skeptical and scientific grounding. Enjoy this feast of new knowledge--it is guaranteed to stick to your ribs!” (James L. Oschman, Ph.D., author of Energy Medicine: The Scientific Basis)

“Eileen Day McKusick has meticulously gathered biofield research that supports the efficacy of sound balancing. Tuning the Human Biofield is comprehensive yet easy to read. With this, sound-on-body becomes understandable and practical for health care professionals and individual self-healing.” (Joshua Leeds, author of The Power of Sound)

“Tuning the Human Biofield is a profoundly insightful and inspiring work as well as a tremendous leap forward for the healing sciences. If I were designing an alternative medicine curriculum, this text would be required reading. In what is arguably the most comprehensive book ever written on tuning fork therapy, Eileen Day McKusick not only shows us the door to healing ourselves and unlocking our potential as energetic beings, but she also takes us by the hand and, brilliantly and eloquently, escorts us into new realms of possibility.” (Sol Luckman, author of Conscious Healing)

“McKusick’s audacity and confidence coupled with serious in-depth research and humility puts her at the forefront of cutting-edge science and healing. This book explains and enlivens our understanding of interconnectivity and consciousness and helps us deeply understand how we humans function, and how we can function better.” (Lauren Walker, author of Energy Medicine Yoga)

“"...we now know that matter is basically solidified energy. And that realization has brought the various therapeutic uses of sound, such as music therapy, back into favor....this book provides a detailed look at how sound helps release biofield disturbances.” (Energy Times, October 2014)

“Equipped with a tuning fork and years worth of observational and scientific references, Tuning the Human Biofield is a determined intellectual and intuitive journey into the healing nature of therapeutic sound.” (Spirit of Change, Gail Lord, December 2014)

“Recommended.” (New Dawn, Jennifer Haskins, January 2015)

About the Author
Eileen Day McKusick has researched the effects of audible sound on the human body and its biofield since 1996. She has a master’s degree in integrative education and is currently pursuing a Ph.D. in integral health. She teaches privately and at Johnson State College. She maintains a sound therapy practice in Stowe, Vermont.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 7
The Anatomy of the Biofield
Using the Chakras and the Biofield in Sound Healing

We will now go through the biofield anatomy in depth, starting at the feet and working our way up. In each section we will explore what I find in both the front and back of the body. Information found at the outer edge of the biofield--around five feet on most people--relates to gestation, birth, and early childhood. Information found close to the body is current or more recent. All other years fall in between, like rings in a tree. As we generate the information it moves away from us. The fields of adults and children are about the same size, but the rings get smaller as we get older.

Each side of each chakra is like a file drawer record of a specific emotion or state of mind, and we energize different parts of our bioplasmic body depending on what we think, feel, and experience. When we routinely spend a lot of time in a particular state of mind, for example guilt-driven overdoing (right hip), we create an imbalance in the field that can lead to a breakdown of order, structure, and function in that region. In sound balancing we are able to detect these areas of imbalance because of the resistance present and the way the tone shifts in the tuning fork; and we are able to correct them by gently supporting the energy’s return to the neutral midline down the center of the body while modulating the tonal quality to a more balanced expression.

First Plexus -- Root Chakra

Color: Red
Tuning fork used: UT/C (these are also used on the feet and knees)
Governs: tailbone, relation to ground, legs and feet, hip joints, pelvis
Relates to: home, security, tribe, right livelihood, rootedness, groundedness
Left Imbalance: Not-doing, indolence, thinking about doing but not doing. No rubber on the road--no connection between thoughts and actions.
Right Imbalance: Overly active physically--doing too much. Overly active mentally--thinking too much. Often guilt driven.
Balanced: Thoughts and feelings in accordance with actions, present in the now, high energy level

The left side of the root chakra speaks of things we want to be doing, being, or having, but are not--such as wanting to start one’s own business and thinking about it a lot but not taking any action steps. This would immediately show up off the left side of the body. A past event that leads to imbalance could be something like a child who wanted to be a professional snowboarder and was good enough but lived too far away from a mountain to get there regularly and whose parents were too busy with other things to support this dream. All that energy of desire was experienced inwardly but never manifested outwardly. Energy stuck on this side is like spinning tires, the rubber isn’t getting on the road, there is an inability to move forward toward goals, dreams, and desires.

I often see this circumstance in people who have eating disorders/body-image conflicts. There is a strong inclination to engage in different behavior but an inability to do so due to an inner battle and sense of powerlessness. I recently treated two women in the same day who were suffering from left side sciatic pain, and they had the same energetic imbalance in this area due to an eating disorder.

The right side of the root chakra speaks of being busy but not necessarily doing the things we want to be doing. A person who is very busy will have a lot of resistance around this hip. There is a place about fourteen to eighteen inches off this side of the body that I call “busy mind.” This is something that almost everyone has, except for skilled meditators.

The busy mind shows up as a profound imbalance in the energy body. Johan Boswinkel, founder of the Institute for Applied Biophoton Sciences, calls thinking “a psychological disease.” Most thinking is nonproductive, nonbeneficial looping that involves worry about the future, to-do lists, concern about what other people think, and inner judgment, guilt, and self-criticism. Most contemporary Americans mentally beat themselves up on a regular basis, and while they might extend compassion to the people around them, they seem unable to include themselves in that equation. This, to me, is one of the biggest problems in our culture: people don’t know how to quiet their minds. Minds go and go, a process that removes people from the present moment and wastes a lot of energy.

Just inside the busy mind region is the busy body region, which occupies the distance from the surface of the body to about twelve inches out. This is an area that will be energized if the person is always in motion. People who have a lot of energy in this area are often trying to avoid their feelings, especially sadness. As long as they stay in motion they stay out in front of the feelings, which tend to settle on them when they stop.

I just ran into a friend I hadn’t seen in a while who was limping and using a cane. I asked him about it and he said he needed his right hip replaced. I said, “Ah, the hip of chronic overdoing,” and he said, “Exactly--I’ve been overdoing my whole life.” So here he was, only sixty years old with a worn-out right hip. People who are very busy will often end up with right hip issues, including sciatica and arthritis.

The back of the root chakra relates to our physical home. If there is a lot of static or a diminished tone here, it usually relates to some kind of stress regarding the home: a renovation, clutter, needing but not being able to afford a new roof, an uncomfortable roommate situation, moving. It can also speak of a tailbone injury, which will show up as static even many years after the accident itself.

Most helpful customer reviews

80 of 80 people found the following review helpful.
Excellent book, very rare to find information. Priceless!
By Costin Lixandru
It's difficult to make a brief and fair review to such a good book. Learning about author's journey, from somebody sound-challenged to a sound therapist was very inspiring and I found a lot more than I expected. Easy to read, very informative and captivating.

If you're interested in this book, here's what I'd like to share:
- The book is very well structured and provides detailed instructions for those practice-oriented as well as lots of references and bibliography for those who want more scientific background.
- This is the easiest and most effective energy healing method that I've ever seen. I've been trained before into some similar others that are more complicated, more expensive and far less efficient. I've been able to correct easily some health issues half way into the book.
- There are some procedures that I haven't seen elsewhere, very effective and easy to integrate in other therapeutic practices (ex. the adrenal rhythm balancing). There's more on author's web site and on youtube, you may want to see that first (google author's name).
- The author takes a methodical, scientific approach without getting lost in science or falling into esoteric too much. About half of the book (by pages) is about scientific theories to explain why it could work and half about what she found and how to use it.
- The book contains a lot of information from many sources, blended with author's experience in 19+ years, in a clear and useable manner.
You will need a tuning fork to work on somebody else (see the author's web site for the kits) and you may need to know a minimum of energy healing if you want to work on yourself (I used Reiki but anything similar will do, maybe e-mail to the author or ask around, it's quite easy).
The information can be used with other methods, even without the tuning forks, if you know how.
- The book offers a practical way to verify some theories about chakras and biofield/aura. You can say that's not true until you do what it says and feel it. It works regardless of your beliefs.
- By "weight" probably the book is 80-90% real stuff about what to do and how to do it. It's so detailed that later I bought the DVD thinking I'm going to learn the method faster. It was true, the DVD helped a lot. But all that information is actually in the book, clearly described by the author without any tricks. All you need to do is just read, understand, then take a tuning fork and do it as described in the book. It's really easy!
- I probably can't emphasize enough, but the information in it is priceless, and it's assembled in an easy to use format that you won't find elsewhere for just the price of this book, maybe unless you spend years and thousands of dollars. Half way through this book I unexpectedly found the answer to a chronic health issue that affected me for the last five years, for which I spent before quite a lot of time and money. I applied what I read immediately and that was the permanent fix. Can't say it's all that easy but if a skeptical engineer like me could do it, I think anybody can do it. Just trust yourself, there's nothing to fear and nothing to lose.
I would strongly encourage anyone interested to give it a try. You'll be happy you did it.

35 of 35 people found the following review helpful.
A Revolutionary/Transformative Way to heal and balance past Traumas working with Tuning Forks in the Human BioField around our b
By CCKateAnn
I personally promise you this is The best book you will EVER read about the Revolutionary and Transformative Science of Tuning the Human Biofield and how her protocol can potentially balance/clear/transform iit. EIleen teaches her protocol, and you can find out more and even see her doing it on her DVD and on her website biofieldtuning.com . It's truly amazing, and with her scientific approach to this unique subject matter, I can say from personal experience (distant healing sessions from her (Vermont) to me (California) I can attest to her amazing insight without ever meeting me. She told me about my childhood trauma, trauma as a teen and adult, and so much more she would have never known without having conversations or meeting me face to face. (which she Did NOT) Please read this book, you will find out more about her and how she discovered this new way of helping to heal our past traumas, both emotional and physical. If you have any healers in your family, please share this book with them. Together, perhaps we can all help transform our world into a kinder, gentler place.
Update: I signed up to take her course in San Diego in December of 2015 taking a chance as A Senior ( not in highschool :)) that perhaps it might be too complicated like it was at Acutonics ( acutonics is mostly for acupuncturists to use tuning forks )for me as a non medical person . I was SO surprised it really works , I learned it, and the shifts are profound at a distance too as I have been practicing on humans and dogs since class. I am at Level 2 class now and after studying many energy healing modalities ( reiki, soma energetics, psychk, matrix energetics, healing touch , the emotion code, theta healing plus) this is the shortest and most direct route I have found. Bless you Eileen McKusick.

72 of 75 people found the following review helpful.
Healing through vibrational frequencies
By mtgrownwoman
This is the best book I've ever read on sound frequencies and the science behind all matter in the universe. I would highly recommend this book to anyone looking to discover the ability to heal through using tuning forks using the Solfeggio frequencies. I recently purchased the Solfeggio tuning forks and am amazed how quickly they work on healing the body and bringing it into balance again.

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• Sales Rank: #2314431 in Books
• Published on: 2010-09-10
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .72" w x 5.98" l, 1.03 pounds
• Binding: Paperback
• 348 pages

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