Sunday 27 July 2014

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The Girl Who Knew Too Much, by Amanda Quick

The Girl Who Knew Too Much, by Amanda Quick



The Girl Who Knew Too Much, by Amanda Quick

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The Girl Who Knew Too Much, by Amanda Quick

Amanda Quick, the bestselling author of ’Til Death Do Us Part, transports readers to 1930s California, where glamour and seduction spawn a multitude of sins…

When Hollywood moguls and stars want privacy, they head to an idyllic small town on the coast, where the exclusive Burning Cove Hotel caters to their every need. It’s where reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool…

The dead woman had a red-hot secret about up-and-coming leading man Nick Tremayne, a scoop that Irene couldn’t resist—especially since she’s just a rookie at a third-rate gossip rag. But now Irene’s investigation into the drowning threatens to tear down the wall of illusion that is so deftly built around the famous actor, and there are powerful men willing to do anything to protect their investment.

Seeking the truth, Irene finds herself drawn to a master of deception. Oliver Ward was once a world-famous magician—until he was mysteriously injured during his last performance. Now the owner of the Burning Cove Hotel, he can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago…

With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under…

  • Sales Rank: #17938 in Books
  • Published on: 2017-05-09
  • Released on: 2017-05-09
  • Original language: English
  • Dimensions: 9.00" h x .91" w x 6.00" l, 1.27 pounds
  • Binding: Hardcover
  • 368 pages

Review
Praise for ’Til Death Do Us Part

“A model storyteller of mystery and suspense mixed with an entrancing romance, Amanda Quick...once again holds the reader in rapt attention with ’Til Death Do Us Part.”—Examiner.com

“Bestselling Quick knows what her readers want, and she delivers it in spades...The icing on this irresistible literary confection is Quick’s distinctive sense of wit, which remains just as delicious as ever.”—Booklist (starred review)

“Romantic suspense luminary Quick moves into edgy thriller territory with intelligence and aplomb...The plot is smart and tight and the characters complex, while the subtle wink of humor toward a successful mystery author's plight and romance subplots will make fans smile.”—Kirkus Reviews (starred review)

“Quick’s ambitious Victorian historical mixes witty, occasionally self-referential banter with gothic undertones and a solid thriller plot...This is a true delight for fans of historical romances and mysteries.”—Publishers Weekly (starred review)

“The whole plot was so well thought out and frankly amazing...Amanda Quick is still—after all these years—a magnificent writer.”—Quite the Novel Idea

About the Author
Amanda Quick is a pseudonym for Jayne Ann Krentz, the author of more than fifty�New York Times�bestsellers. She writes historical romance novels under the Quick name, contemporary romantic suspense novels under the Krentz name, and futuristic romance novels under the pseudonym Jayne Castle. There are more than 35 million copies of her books in print.

Excerpt. � Reprinted by permission. All rights reserved.

Chapter One

The abstract painting on the bedroom wall was new. It had been painted in fresh blood.

There was blood everywhere in the elegant, white-on-white boudoir. It soaked the dead woman’s silver satin evening gown and the carpet beneath her body. There was blood on the white velvet seat of the dainty chair in front of the pretty little dressing table.

Anna Harris’s first thought was that she had walked into the middle of a nightmare. The scene simply could not be real. She was asleep and dreaming.

But she had grown up on a farm. She had hunted deer with her grandfather. Caught and cleaned fish. Helped deliver calves. She knew the cycle of life and the smell of death.

Still, she could not leave the room until she made certain. Helen had collapsed on her side, facing the wall. Anna crouched next to the body and reached out to check for a pulse. There wasn’t one, of course.

There was a gun, however. A small one. It lay on the carpet not far from Helen’s right hand. Acting on instinct—she certainly wasn’t thinking clearly now—Anna scooped up the weapon.

It was then that she saw the message. Helen had used her own blood to write it on the silver-flocked wallpaper just above the baseboard. Run.

And in that moment, Anna knew that the perfect new life she had been living for the past year was an illusion. The reality was a dark fairy tale.

Run.

She rushed down the hall to her lovely blue and white bedroom, pulled a suitcase out of the closet, and started flinging clothes into it. Like the shoes and the frock she was wearing, almost all of her wardrobe was new, the gift of her generous employer. Can’t have my private secretary looking like she shops at a secondhand store, Helen had said on several occasions.

Anna was shaking so badly she could barely get the suitcase closed and locked. With effort she managed to haul it off the bed.

She went back to the closet and took the shoebox off the top shelf. Tossing the lid aside, she started to reach into the box for the money she kept inside. She had been in her late teens a few years earlier when the crash occurred, but like so many others who had lived through the experience, she had no faith in banks. She kept her precious savings close at hand in the shoebox.

She froze at the sight of what was inside the box.

There was money, all right—too much money.

With all of her living expenses paid for by her employer, she had been able to save most of her salary for the past year, but she certainly had not saved anywhere near the amount that was in the box. Helen must have added the extra cash. It was the only explanation, but it made no sense.

In addition to the money there was a small, leather-bound notebook and a letter written on Helen’s expensive stationery.

Dear Anna:

If you are reading this, it means that I have made the biggest mistake a woman can make—I have fallen in love with the wrong man. I’m afraid that I am not the person you believed me to be. I apologize for the deception. Take the notebook, the money, and the car. Run for your life. Get as far away as possible and disappear. Your only hope is to become someone else. You must not trust anyone—not the police, not the FBI. Above all, never trust a lover.

I wish I could give you the glowing reference you deserve. But for your own sake you must never let anyone know that you once worked for me.

As for the notebook, I can only tell you that it is dangerous. I do not pretend to understand the contents. I would advise you to destroy it, but if the worst happens, you may be able to use it as a bargaining chip.

I have always considered us to be two of a kind—women alone in the world who are obliged to live by our wits.

I wish you all the best in your new life. Get as far away as possible from this house and never look back.

Yours with affection,

Helen

Helen Spencer had been bold, adventurous, and daring—a woman of the modern age. She had lived life with passion and enthusiasm, and for the past year Anna had been caught up in her glittering, fast-paced world. If Helen said that it was necessary to run, then it was, indeed, vital that Anna run.

She emptied the contents of the shoebox into her secretarial handbag. After a few seconds’ hesitation she put Helen’s little gun inside, as well. She closed the handbag, gripped it in one hand, hoisted the suitcase, and hurried out into the hall.

When she went past Helen’s bedroom she tried not to look at the body, but she could not help herself.

Helen Spencer had been ravishingly beautiful, an angelic blonde with sparkling blue eyes. Wealthy, charming, and gracious, she had paid her small household staff, including her secretary, very well. In return, she had demanded loyalty and absolute discretion concerning her seemingly small eccentricities such as her occasional demands for privacy and her odd travel schedule.

Like the others on the mansion’s very small staff—the middle-aged housekeeper and the butler—Anna had been happy to accommodate Helen. It had been an enchanted life, but tonight it was over.

Anna went down the stairs. She had always known that her good fortune could not last. Orphans developed a realistic view of life early on.

When she reached the ground floor she went past Helen’s study. She glanced inside and saw that the door of the safe was open. The desk lamp was on. There was a blue velvet bag inside the safe.

She hesitated. Something told her that she had to know what was inside the velvet bag. Perhaps the contents would explain what had happened that night. She set the suitcase on the floor, crossed the study, and reached into the safe. Scooping up the velvet bag, she loosened the cord that cinched it closed and turned it upside down over the desk.

Emeralds and diamonds glittered in the lamplight. The necklace was heavy and old-fashioned in design. It looked extremely valuable. Helen had some very good jewelry but Anna was sure she had never seen the necklace. It wasn’t Helen’s style. Perhaps it was a family heirloom.

But the more pressing question was, why would the killer open the safe and then leave such an expensive item behind?

Because he was after something else, she thought. The notebook.

She slipped the necklace into the velvet sack and put it into the safe.

She went back into the hall, picked up the suitcase, and rushed outside. The sporty Packard coupe that Helen had insisted upon giving her was waiting in the drive. She tossed the suitcase and the shoebox into the trunk and got behind the wheel—and nearly went limp with gratitude and relief when the well-tuned engine started up on the first try.

She turned on the lights, put the car in gear, and drove down the long, winding drive, through the open gates, and away from the big house.

She gripped the wheel very tightly and forced herself to concentrate. She had not learned all of Helen Spencer’s secrets tonight but she had stumbled upon enough of them to make one thing blazingly clear: She had to get as far away from New York as possible.

The narrow mountain road twisted and turned on itself as it snaked down into the valley, a harrowing trip for those unaccustomed to it, especially at night. But her grandfather had taught her to drive when she was thirteen, and she learned on bad mountain roads. She knew how to handle tight curves, and she knew this particular mountain road very well. She had driven her employer back and forth between the Manhattan apartment and the secluded mansion many times during the past year.

Helen’s faithful butler, Mr. Bartlett, had doubled as her chauffeur before Anna arrived at the mansion. But Bartlett’s eyesight had begun to fail. Helen had been thinking of looking for a new driver when she hired Anna. Helen had been delighted to discover that, in addition to her stenography skills, her private secretary was also a skilled driver. Saves me from having to hire a chauffeur, she had said.

Helen had always been very keen on keeping staff to a bare minimum. She was not a stingy employer—just the opposite, in fact—but she had made it clear that she did not want a lot of people around her at the mansion. Tonight it occurred to Anna that the reason Helen had limited the number of people on her household staff was because she had secrets to hide.

I’ve been incredibly na�ve, Anna thought.

She had always prided herself on taking a cold-eyed, realistic view of the world. A woman in her position could not afford the luxuries of optimism, hope, and sentiment. For the most part she considered herself to be quite intuitive when it came to forming impressions of others. But when she did make mistakes, the results tended to be nothing short of catastrophic.

She reached the small, sleepy village at the foot of the mountain and turned onto the main road. Unable to think clearly enough to come up with a destination, she pursued a random route, passing through a string of tiny towns.

Run.

She continued driving an erratic pattern straight through the next day, stopping only for gas and a sandwich. But at nightfall exhaustion forced her to pull into an autocamp. The proprietors did not ask for a name, just enough money to cover the cost of a private cabin and a hot meal.

She collapsed on a cot and slept fitfully until dawn. In her feverish dreams she fled from an unseen menace while Helen urged her to run faster.

She awoke to the smell of coffee. A newspaper delivery truck arrived while she was eating the breakfast provided by the couple who operated the camp. She bought a paper and unfolded it with a mix of dread and curiosity. The news of Helen Spencer’s murder was on the front page.

Wealthy N.Y. Socialite Savagely Murdered.

Private Secretary Missing. Wanted for Questioning.

Stolen Necklace Found in Dead Woman’s Safe.

Shock iced Anna’s blood. She was now a suspect in the murder of Helen Spencer. Helen’s warning came back to her: You must not trust anyone—not the police, not the FBI. Above all, never trust a lover.

The last bit, at least, was easy enough, Anna thought. She did not have a lover. She had not had one since Bradley Thorpe. That humiliating debacle was the last occasion on which her intuition had failed quite spectacularly.

She pulled herself back from the cliff-edge of panic. She was a proud graduate of the Gilbert School for Secretaries. Gilbert Girls did not panic. She had been trained to exert control over chaos. She knew how to set priorities.

First things first: It was time to choose a destination. She could not continue to drive aimlessly up and down the East Coast. The very thought of spending weeks, months, or years on the run was enough to shatter her nerves. Besides, the money would not last forever. Sooner or later she would have to go to ground. Catch her breath. Get a job. Invent a new life.

She was not the only person who had spent the night in the autocamp. The others gathered around the table for breakfast, eager to get back on the road. They chatted easily, sharing travelers’ tales. All of the conversations started the same way. Where are you headed?

There were many answers but one in particular stood out because it sparked curiosity, wonder, and several nods of agreement around the table.

By the time she finished breakfast she had made her decision. She would do what countless others had done when they were forced to build new lives. She would head for that mythical land out west where a vast blue ocean sparkled beneath a cloudless sky, and orange trees grew in people’s backyards. A land where glamorous people created magic on the silver screen and got involved in titillating scandals in their spare time. A land where everyone was too busy inventing the future to care that she had no past.

She got back behind the wheel and started driving west.

Somewhere along the line she came up with a new name for herself: Irene Glasson. It had a Hollywood ring to it, she thought.

She found the highway to her future right where the other travelers had said it would be—in downtown Chicago.

Route 66 would take her all the way to California.


Chapter Two

“You failed.” Graham Enright folded his hands on top of the desk. “In addition to terminating Spencer, you were supposed to acquire the notebook.”

Julian was standing in front of the art deco portrait on the wall, examining it with the intent expression of a connoisseur. He could have passed for one if necessary. Not only had he received an excellent education that included an appreciation of the fine arts, he was a born actor.

From his artfully cut blond hair to his fashionable suit with its perfectly knotted tie and the elegant pocket square, he looked as if he played polo in his spare time. The accent and manners were pure East Coast Old Money, and it wasn’t an act. Julian’s ancestors had not actually arrived on the Mayflower, but they had been on board a yacht that docked soon thereafter.

“I assumed the notebook would be in Spencer’s safe,” Julian said. He looked and sounded bored by the conversation. “It was the logical place to look so I cracked it. Took me several minutes, by the way. When I realized the damned notebook wasn’t inside I searched the study and Spencer’s bedroom. It would have been impossible to go through the entire house. The old mansion is huge.”

“Spencer probably had a second safe, maybe one hidden in the floor.”

Julian inhaled deeply on his cigarette. The brand was French. Very expensive. Very exclusive.

“What did you expect me to do?” he said. He did not take his eyes off the portrait. “Pry up every floorboard in search of a hidden safe? Sorry, I’m not a carpenter. I don’t do household remodeling work.”

“You shouldn’t have gotten rid of Spencer until you had that notebook in your hands.”

“Spencer kept a gun in her bureau drawer. At some point she became suspicious. She went for the weapon. I had no choice. It’s not my fault I couldn’t find the damned notebook.”

“The client is not going to be pleased.”

“That’s your problem, not mine. You’re management. I’m just a field agent, remember? True, I’m your only field agent but, nevertheless, I’m just hired help.”

Graham ignored the barb. “Enright and Enright has a contract to recover the notebook and get rid of anyone who might have had access to it. I expect you to complete the assignment.”

Julian turned around. “I’ll be happy to make further inquiries but I want something in return.”

Graham controlled his temper with an effort. He was not in a position to bargain. The reputation of Enright & Enright was on the line.

“What do you want?” Graham asked.

“A promotion to vice president of the firm.”

Graham pretended to give that some intense thought. Then he nodded curtly.

“Very well,” he said. “But I will expect results and I will expect them soon.”

Julian’s sensual mouth curved faintly. His gem green eyes glinted with amusement. “You really are nervous about this contract, aren’t you?”

“I want it completed satisfactorily, yes. The client is a new one with very deep pockets and wide-ranging interests. If we are successful, there is the potential for a great deal of future business.”

“You seem particularly keen to land this particular client. Why is it so important?”

“It represents a golden opportunity for the firm to expand its business into the international sphere.”

That got Julian’s attention, just as Graham had known it would.

“This client has international interests?” Julian asked.

Graham allowed himself a small, satisfied smile. “It does, indeed.”

“What sort of interests are we talking about?”

“A wide variety. You read the newspapers. The modern world is an unstable place.”

Julian waved that aside. “That’s hardly a new development. The world has always been an unstable place. But until now Enright and Enright has confined its activities to the United States.”

Graham pushed back his chair and got to his feet. He went to stand at the window. He had a spectacular view of New York City, but in his mind’s eye he saw Europe, the Middle East, Russia, and beyond—all the way to the Far East. He intended to position the firm to take advantage of the opportunities that would abound in the future. It would be his legacy, he thought, the legacy that he would leave to his son and heir, who would, in turn, provide future generations of Enrights.

Not that he planned to leave that legacy to his son anytime soon. Graham was still in his prime, healthy and fit. He came from a long-lived line. Unfortunately, the men of the Enright line were not very prolific. After two wives—both deceased—he had managed to sire only one heir.

The law firm of Enright & Enright had been founded by his father, Neville Enright, amid the chaos following the Civil War. Neville had understood that the desire for money and power and revenge were forms of lust and, therefore, immutable aspects of human nature. Firms that catered to those elemental lusts would always prosper, regardless of stock market crashes and wars.

On the surface, Enright & Enright was a respected law firm that specialized in estate planning for an exclusive, wealthy clientele. But in addition, it provided very discreet services to those willing to resort to any means to achieve their objectives so long as they could keep their own hands clean. For a hefty fee, Enright & Enright was willing to do the dirty work for its clients.

In the aftermath of the War to End All Wars it had become clear to Graham that not only would there be more wars in the future, there would also be an unlimited demand for the services that Enright & Enright provided.

It had also become obvious that the rapid advances in modern technology—faster modes of transportation and communications as well as more efficient weaponry—would open up new markets and new opportunities.

“The times are changing,” he said. “The firm must change with them. To do so we must cultivate clients such as the one that has commissioned us to retrieve the notebook.”

“A client with international interests,” Julian repeated softly. “Very interesting.”

He no longer sounded bored. There was something new in his voice. Anticipation. Graham was pleased and more than a little relieved. Satisfied, he turned around.

“The only way to secure this client is to find the notebook and get rid of anyone who might be aware of its value,” he said. “You will, of course, have the full resources of the firm at your disposal.”

Julian headed toward the door. “I’ll get started immediately.”

“One moment, if you don’t mind.”

Julian paused, his hand on the doorknob. “What is it?”

“Can I assume you have some idea of where to start looking?”

“Yes, as a matter of fact, I do,” Julian said. “Spencer employed only three people. One of them has gone missing.”

Graham tensed. “Which one?”

“The private secretary, Anna Harris. An orphan with no family and, given her career, very little money, unless she stole some from Spencer. She is the only member of the staff who disappeared, so it seems likely that she took the notebook.”

“I see.”

“The thing is, Anna Harris is not a professional like Spencer. She won’t know how to go about making a deal for an item as dangerous as the notebook without revealing herself to someone who is watching for it to appear on the underground market.”

“Someone like you.”

“Thanks to the firm’s connections I can keep an eye on that market. Don’t worry, Anna Harris and the notebook will show up sooner or later, and when they do, I’ll deal with both issues.”

“Why didn’t you mention this before?”

Julian smiled his fallen-angel smile. “Because I wanted to know just how important this contract was to you.”

“I see. What makes you think that this Anna Harris knows the value of the notebook?”

“I’m sure of it, because she fled without helping herself to the necklace that was in the safe. She must have seen it. Why would a poor secretary leave such a valuable item behind unless she thought she had something of even greater value to sell?”

“Good point,” Graham said. “But I must say, I’m surprised that Spencer confided the truth about the notebook to her secretary.”

Julian’s brows rose. “Are you really? We both know that, sooner or later, private secretaries discover a great deal about their employers’ confidential business.”

Graham grunted. “Very true.”

It was unfortunate that the very qualities that made for a skilled secretary—intelligence, organizational talents, and the ability to anticipate her employer’s needs before he was even aware of them—were the same qualities that eventually caused problems.

He was always careful to hire experienced single women who lacked family and social connections. His current secretary was a fine example. Raina Kirk was in her thirties and alone in the world. There was no man in her life and no close relations. When it came time to let her go, there would be no problems.

“Don’t worry,” Julian said. “Anna Harris is just a secretary who made off with her employer’s property. Her first objective will be to try to sell the notebook. But she won’t have the least idea of how to find a buyer for such an exotic item. Once she starts putting out feelers, she’ll give herself away very quickly.”

“Let’s hope you’re right. One more thing.”

Julian had been about to open the door. He sighed rather theatrically and turned back to face Graham.

“What is it?” he asked.

“Was it absolutely essential to make such a mess of the Spencer job? The murder is making headlines because the police believe that whoever killed the victim is a homicidal maniac.”

“Which distracts them from the true reason for the kill,” Julian said with exaggerated patience. “That was the point. They are now looking for a madman—or, possibly, a madwoman. They won’t make the connection to the notebook.”

He let himself out into the reception area. Graham saw him give Raina a warm, seductive smile just before he closed the door.

Graham sat down at his desk. Julian’s explanation for the bloody death was reasonable, but he could have taken a less spectacular approach. A motor vehicle accident or a suicide might have generated headlines—Helen Spencer moved in society—but neither would have involved the police.

He realized that what concerned him was Julian’s penchant for the sensational. He clearly enjoyed the thrill of the kill. Graham understood. We’re only young once, he reminded himself. Nevertheless, it was time that Julian matured and learned to control his impulsive nature.

Graham contemplated the portrait of himself that hung on the wall. The artist, Tamara de Lempicka, had used her talent to give him an aura of mystery and glamour. He appeared both intensely masculine and darkly sensual. The light turned his blond hair to gold. His green eyes glowed like jewels. Lempicka had called him Lucifer during the sittings and tried to seduce him. Her illicit liaisons were the stuff of legend. He smiled at the memory.

Better to reign in hell, he thought, especially when one commanded such a profitable version of Hades.

He was untroubled by thoughts of heaven and hell because he was not a religious man. He did not consider himself a vain man, either, but he had to admit that he was quietly pleased with the portrait. He was some thirty years older than Julian, but the similarity between the two of them was unmistakable. Anyone who saw Julian standing next to the Lempicka portrait would recognize the truth immediately.

Like father, like son.

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  • Published on: 2005-10-11
  • Binding: Paperback

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Sunday 20 July 2014

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  • Published on: 1900
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Sunday 13 July 2014

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The Media Handbook provides a practical introduction to the advertising media planning and buying process. Emphasizing basic calculations along with the practical realities of offering alternatives and evaluating the plan, this fifth edition reflects the critical changes in how media is planned, bought, and sold by today’s industry professionals. Author Helen Katz looks at the larger marketing, advertising, and media objectives, and follows with an exploration of major media categories, including digital media. She provides a comprehensive analysis of planning and buying, with a continued focus on how those tactical elements tie back to the strategic aims of the brand and client.

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  • Sales Rank: #51380 in Books
  • Published on: 2013-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .50" l, .70 pounds
  • Binding: Paperback
  • 248 pages

About the Author

Helen Katz is Senior Vice President and Director of Research for Starcom MediaVest Group. She has an extensive professional background in media research and has taught advertising and media planning at Michigan State University and the University of Illinois.

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0 of 0 people found the following review helpful.
Enjoyed it!
By R. Valentine
Needed for college class - very thorough. Enjoyed it!

0 of 0 people found the following review helpful.
Thorough and well written
By MotherofBoys
Everything you need to know media-wise in one place.

0 of 0 people found the following review helpful.
College classbook
By Khawk
College class book.

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Saturday 12 July 2014

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It’s 1867, and the Civil War is over. But the blood has just begun to flow.

For Asher Rook, Chess Pargeter, and Ed Morrow, the war has left its mark in tangled lines of association and cataclysmic love, woken hexslinger magic, and the terrible attentions of a dead god. “Reverend” Asher Rook is the unwilling gateway for the Mayan goddess Ixchel to birth her pantheon back into the world of the living, and to do it she’ll force Rook to sacrifice his lover and fellow outlaw Chess Pargeter. But being dead won’t bar Chess from taking vengeance, and Pargeter will claw his way back out of Hell, teaming with undercover-Pinkerton-agent-turned-outlaw Ed Morrow to wreak it. What comes back into the world in the form of Chess Pargeter is a walking wound, Chess’s very presence tearing a crack in the world and reshaping everything around him while Ixchel establishes Hex City, a city state defying the very laws of nature—an act that will draw battle lines between a passel of dead gods and monsters, hexes galore, spiritualists, practitioners of black science, a coalition set against Ixchel led by Allan Pinkerton himself, and everyone unfortunate enough to be caught between the colliding forces. None of which will stop Chess from hunting down Rook, now consort to Ixchel, even if he has to rip the world apart to do it.

With the barriers between worlds crumbling, a new war being waged across the American West, and Ixchel preparing to kick off an Apocalypse fed by shed human blood while Rook plots one, final, redemptive treachery of his own, everything will come down to Chess Pargeter, once again trapped in a nightmarish underworld. But Chess has fought his way out of hell before. . . .

Experience in one omnibus package the series Publishers Weekly called “a top-notch horror-fantasy saga” full of “potent mythology, complex characters, and dollops of creeping horror and baroque gore.”

  • Sales Rank: #448390 in eBooks
  • Published on: 2013-12-17
  • Released on: 2016-04-08
  • Format: Kindle eBook

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6 of 6 people found the following review helpful.
For those interested in Weird Westerns with LGBTQ characters and Mesoamerican mythology, this will be a real treat
By K. Sozaeva
Book Info: Genre: Weird Western/Supernatural Horror/Steampunk
Reading Level: Adult
Recommended for: Fans of Weird West, horror, those interested in Meso-American religious practices
Trigger Warnings for series: murder (including mass murder), killing, execution, non PC language, fighting, violence, suicide, explicit M/M sex (first book only), human sacrifice, self injury, giant spiders
Animal Injuries: several horses are killed during a melee

My Thoughts on Omnnibus: The omnibus includes the Hexslinger trilogy as well as three bonus short stories, “Hexmas”., “Like a Bowl of Fire”, and “In Scarlet Town (Today)”. I have written individual reviews for each of the books in the trilogy, so for more detail on any given book, check that out. I will use this review to talk about the series as a whole, and also to review the three short stories.

One of the things I really liked about this series is the characters, and character development. Some of these people are really quite horrible human beings at the beginning, like Songbird and Chess Pargeter, yet they grow and change through the course of the series in such as way as to begin on a path to redemption. Others start out good people, like Ash Rook and Mesach Love, only to fall out of grace through one reason or another. I liked that the author was willing to make that sort of gamble. While I imagine there will be plenty of people for whom this series is definitely not their cup of tea, but for those who might like a Weird Western with some gay romance, well, this should fulfill that nicely.

As far as the short stories:
“Hexmas” is set 6 or 7 years after the events of the main trilogy. Ed Morrow and Yancey Colder Kloves are homesteading in the desert on a plot that Chess helped set up, but a new neighbor—a hex woman from Iceland—is causing trouble for them due to her fear that Yancey is a hex and will try to destroy her. To make things even more tricky, Yancey is close to delivering her first child, and afraid the neighbor woman will kill the babe upon its birth. Chess, recently elected Sheriff of Hexicas, comes to visit just in time. This short is more lighthearted, at least at the beginning, than a lot of the trilogy, and that was nice to see. It was also neat to see how Ed and Yancey have been keeping themselves during the time in question. There is mention that Yancey has been using her dead-speaker skills to try to learn more about her heritage, both from her father's Jewish tradition, and her mother's Romani.

“Like a Bowl of Fire” is set shortly after the events of the trilogy. Chess is traveling with Charlie, the young man he meets in the epilogue of book 3. They have traveled back east, where a local man has pointed them toward a section of land on which nothing will grow. Anything that goes there burns, be it a person or a plant. Chess and Charlie have to figure out why this is happening and try to stop it. During this short, we find out that Charlie has a special way with the arachnorses, the large spiders born from the giant spider in the third book, which are being trained as mounts. We also see how Chess has grown in his wisdom over the years.

“In Scarlet Town (Today)” takes place about a year before “Hexmas”. The leaders of Hexicas summon Chess to help them solve a murder, which should be impossible due to the Oath that all hexes must take to live in Hex City. Chess uncovers a cauldron of bad feelings between the hexes and the so-called “naturals”, upon whom many of the hexes look down and consider inferior, while the “naturals” are resentful of their treatment but feel they are stuck there and unable to leave. Charlie does as much to solve this as Chess.

I really did enjoy all the short stories, which gave a more in-depth look at some of the people from the series, as well as catching the reader up on them since the end of the series. Fans of the trilogy might want to purchase the omnibus mainly so they can read these stories, if for no other reason. I really have enjoyed reading these stories and look forward to whatever this author might come up with next. Watch for a guest post from the author, and a giveaway, coming on Friday on my blog!

Series Information: The Hexslinger Series
Book 1: A Book of Tongues, review linked here
Book 2: A Rope of Thorns, review linked here
Book 3: A Tree of Bones, review linked here

Disclosure: I received a copy of the omnibus from ChiZine in exchange for an honest review. All opinions are my own.

Omnibus Synopsis: It’s 1867, and the Civil War is over. But the blood has just begun to flow.

For Asher Rook, Chess Pargeter, and Ed Morrow, the war has left its mark in tangled lines of association and cataclysmic love, woken hexslinger magic, and the terrible attentions of a dead god. “Reverend” Asher Rook is the unwilling gateway for the Mayan goddess Ixchel to birth her pantheon back into the world of the living, and to do it she’ll force Rook to sacrifice his lover and fellow outlaw Chess Pargeter. But being dead won’t bar Chess from taking vengeance, and Pargeter will claw his way back out of Hell, teaming with undercover-Pinkerton-agent-turned-outlaw Ed Morrow to wreak it. What comes back into the world in the form of Chess Pargeter is a walking wound, Chess’s very presence tearing a crack in the world and reshaping everything around him while Ixchel establishes Hex City, a city state defying the very laws of nature—an act that will draw battle lines between a passel of dead gods and monsters, hexes galore, spiritualists, practitioners of black science, a coalition set against Ixchel led by Allan Pinkerton himself, and everyone unfortunate enough to be caught between the colliding forces. None of which will stop Chess from hunting down Rook, now consort to Ixchel, even if he has to rip the world apart to do it.

With the barriers between worlds crumbling, a new war being waged across the American West, and Ixchel preparing to kick off an Apocalypse fed by shed human blood while Rook plots one, final, redemptive treachery of his own, everything will come down to Chess Pargeter, once again trapped in a nightmarish underworld. But Chess has fought his way out of hell before. . . .

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Wednesday 9 July 2014

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This narrative history surveying one thousand years of Jewish life integrates the Jewish experience into the context of the overall culture and society of medieval Europe. It presents a new picture of the interaction between Christians and Jews in this tumultuous era. Alienated Minority shows us what it meant to be a Jew in Europe in the Middle Ages. The story begins in the fifth century, when autonomous Jewish rule in Palestine came to a close, and when the papacy, led by Gregory the Great, established enduring principles regarding Christian policy toward Jews. Kenneth Stow examines the structures of self-government in the European Jewish community and the centrality of emerging concepts of representation. He studies economic enterprise, especially banking; constructs a clear image of the medieval Jewish family; and portrays in detail the very rich Jewish intellectual life. Analyzing policies of Church and State in the Middle Ages, Stow argues that a firmly defined legal and constitutional position of the Jewish minority in the earlier period gave way to a legal status created expressly for Jews, who in the later period were seen as inimical to the common good. It was this special status that paved the way for the royal expulsions of Jews that began at the end of the thirteenth century.

  • Sales Rank: #219767 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 1998-08-19
  • Released on: 1998-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .90" w x 6.13" l, 1.30 pounds
  • Binding: Paperback
  • 360 pages
Features
  • Used Book in Good Condition

Review
[An] enlightening and learned book. (Mark Miller Forward)

What has heretofore been lacking both to students of medieval Jewish history and to general historians is a manageable, yet indepth, analysis in English of the medieval Jewish experience. Stow provides such a study. (Steven Bowman Religious Studies Review)

In exemplary fashion, Stow blends Jewish and Christian sources, a meld lamentably lacking in other English-language studies of similar topics. (Choice)

About the Author
Kenneth Stow has given us an authentic and multidimensional picture of medieval Jewry and its place in European history. He is Professor of Jewish History, University of Haifa.

Most helpful customer reviews

8 of 13 people found the following review helpful.
Book is full of detail, but duller than dirt
By A Customer
This book is good source material. Only experts in Jewish history should read it. At times, the book is hard to follow and can leave you confused. I do recommend it for research material though. I read this book in Religion 301- Early Jewish history to 1492: Expulsion from Spain.

2 of 4 people found the following review helpful.
Important work
By Seth J. Frantzman
This wonderful and important work documents what Jews were doing and where they were between 1100 and 1500. It examines demographic and culture as well as religion and tradition and never forgets to examine the role of Jews in society and pose the question: how important and visible was the Jewish role in society in western world, how did Jews live and what was their culture and place in European history? A very interesting book, scholarly and not exceedingly interesting, but nonetheless important.

Seth J. Frantzman

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Saturday 5 July 2014

[J553.Ebook] Download PDF An Introduction to Phonetics and Phonology, by John Clark, Colin Yallop, Janet Fletcher

Download PDF An Introduction to Phonetics and Phonology, by John Clark, Colin Yallop, Janet Fletcher

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An Introduction to Phonetics and Phonology, by John Clark, Colin Yallop, Janet Fletcher



An Introduction to Phonetics and Phonology, by John Clark, Colin Yallop, Janet Fletcher

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An Introduction to Phonetics and Phonology, by John Clark, Colin Yallop, Janet Fletcher

This fully revised third edition integrates updated references, new findings, and modern theories, to present readers with the most thorough and complete introduction to phonetics and phonology.

  • Exceptionally thorough, including detailed attention to articulatory and acoustic phonetics as well as to the foundations of phonological analysis
  • Features a number of valuable changes, incorporating new material on the latest findings in speech production studies; greater coverage of prosody, including a major section on autosegmental metrical models; expanded coverage of phonology, including Optimality Theory; and sections on L1 and L2 acquisition, and sociolectal variation
  • Integrates new findings, theories references throughout, offering students the most thorough and complete knowledge of the subject to date
  • Includes 125 figures throughout

  • Sales Rank: #537053 in Books
  • Brand: Brand: Blackwell Publishing
  • Published on: 2007-01-05
  • Released on: 2006-12-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x 1.02" w x 6.80" l, 1.92 pounds
  • Binding: Paperback
  • 504 pages
Features
  • Used Book in Good Condition

Review
“A key general-reference text, which assumes no prior knowledge. In this edition, emphasis is placed on acoustic phonetics and phonological analysis, and it incorporates new material on developments in speech production studies, prosody, optimality theory in phonology, L1 and L2 acquisition and sociolectal variation.” Times Higher Education Supplement

“The third edition of An Introduction to Phonetics and Phonology is a welcome update to an introductory volume which for many years has informed and challenged students in equal measures, and will clearly continue to do so.”
Gerry Docherty, University of Newcastle upon Tyne

From the Back Cover
Now available in a fully revised third edition, this comprehensive introduction to phonetics and phonology familiarizes the reader with detailed knowledge of articulatory and acoustic phonetics as well as the foundations of phonological analysis. Featuring numerous figures throughout, it assumes no prior knowledge of the subject.

The new edition contains a number of valuable changes, including:

  • Updated chapters on the anatomy, physiology, and acoustics of speech production, which include recent research findings
  • A thorough revision of the chapter on speech perception
  • An expanded chapter on prosody, including a major section on autosegmental-metrical models of intonation
  • Additional material on theoretical phonology, including a new section on constraint-based theories, including Optimality Theory

Integrating new findings, theories, and references, the third edition of An Introduction to Phonetics and Phonology is the most thorough and complete resource on the subject to date.

About the Author
John Clark is Professor Emeritus at the University of Western Sydney and Adjunct Professor at Macquarie University.

Colin Yallop is Adjunct Professor in English at Macquarie University, an Honorary Fellow in the School of Languages and Linguistics at the University of Melbourne, and Chief Editor of the Macquarie Dictionary.

Janet Fletcher is Associate Professor in the School of Languages and Linguistics at the University of Melbourne.

Most helpful customer reviews

0 of 2 people found the following review helpful.
It helps to supplement my other Phonetics course
By Janet Novotny
The index is o.k. but could be more detailed as I look for items I need information on. It is a good supplement to my other Phonetics book by Ladefoged.

3 of 9 people found the following review helpful.
Good book to understand Phonetics
By Enrique Pilleux
This book provides with a clear explanation of the field being of Phonetics and its different features. It also provides clear examples of the different elements it covers.

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